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Ecophilosophy, Praxis, and the Deconstruction of Anthropocentrism in Richard Powers the Overstory


Article Information

Title: Ecophilosophy, Praxis, and the Deconstruction of Anthropocentrism in Richard Powers the Overstory

Authors: Abdul Ghafoor, Seful Bahri, Rini Susanti Wulandari, Ihsan Ahmed

Journal: Journal of Asian Development Studies

HEC Recognition History
Category From To
Y 2024-10-01 2025-12-31
Y 2023-07-01 2024-09-30

Publisher: Centre for Research on Poverty and Attitude pvt ltd

Country: Pakistan

Year: 2024

Volume: 13

Issue: 4

Language: English

DOI: 10.62345/jads.2024.13.4.30

Keywords: Deep EcologyAnthropocentrismRichard PowersPraxisArne Naess

Categories

Abstract

This paper analyses the relationship among eco-philosophy, praxis, and the deconstruction of anthropocentrism in Powers' (2019) The Overstory, utilizing the theoretical framework of Deep Ecology as advanced by Arne Naess (1989). Powers' work challenges the prevailing anthropocentric perspective, presenting an eco-realm in which trees and ecosystems serve as primary protagonists, questioning the hierarchical distinction between humans and nature. This study, informed by Naess's concepts of Deep Ecology, such as intrinsic value, ecological self-realization, and biocentric equality, examines how The Overstory (2019) promotes a transition from anthropocentric ethics to a life-centered environmental ethos. The study examines the praxis derived from Power's narrative, highlighting the novel's advocacy for environmental action, shared responsibility, and a redefinition of humanity's position within the biosphere. It emphasizes the metamorphic capacity of the story in cultivating ecological awareness, suggesting that the novel acts as a medium for reevaluating, redefining ecological ethics, and prompting action against environmental degradation. This study argues that by integrating Naess's (1989) theoretical framework with literary analysis, the novel challenges anthropocentrism while proposing a realistic approach to biocentric life, encouraging readers to adopt ecological interdependence and activism. Integrating the ecophilosophy of deep ecology and practice highlights the novel's importance in contemporary environmental discourse.


Research Objective

To analyze the relationship among ecophilosophy, praxis, and the deconstruction of anthropocentrism in Richard Powers' The Overstory using the theoretical framework of Deep Ecology.


Methodology

Qualitative analysis approach, interpreting relevant excerpts from The Overstory through ecophilosophical and ecocritical lenses to identify themes challenging anthropocentrism, guided by Arne Naess's (1989) theoretical framework of Deep Ecology.

Methodology Flowchart
                        graph TD;
    A["Identify Research Problem: Deconstructing Anthropocentrism in The Overstory"] --> B["Select Theoretical Framework: Deep Ecology by Arne Naess"];
    B --> C["Choose Methodology: Qualitative Analysis of Literary Excerpts"];
    C --> D["Analyze Textual Evidence from The Overstory"];
    D --> E["Interpret Findings through Ecophilosophical and Ecocritical Lenses"];
    E --> F["Identify Themes Challenging Anthropocentrism"];
    F --> G["Synthesize Key Findings and Discuss Implications"];
    G --> H["Formulate Conclusion"];                    

Discussion

The study argues that The Overstory, through its literary devices and narrative, promotes Deep Ecology principles such as intrinsic value, ecological self-realization, and biocentric equality. It highlights how the novel encourages readers to adopt ecological interdependence and activism by presenting nature's resilience, intelligence, and interconnectedness, thereby deconstructing anthropocentric viewpoints.


Key Findings

The novel The Overstory effectively challenges anthropocentrism by portraying trees and ecosystems as primary protagonists, questioning the human-nature hierarchy. It promotes a transition from anthropocentric ethics to a life-centered ethos, advocating for environmental action, shared responsibility, and a redefinition of humanity's position within the biosphere. The narrative demonstrates the metamorphic capacity of literature in cultivating ecological awareness and prompting action against environmental degradation.


Conclusion

The Overstory serves as a significant literary work that dismantles human-centric ideas by showcasing nature's resilience and intrinsic value beyond human utility. It encourages a shift in perspective towards understanding humanity's role within the ecosystem and advocates for a mutually beneficial relationship with the natural environment, aligning with the principles of Deep Ecology.


Fact Check

- Richard Powers' novel The Overstory was published in 2019. (Confirmed by text)
- Arne Naess's work Ecology, Community, and Lifestyle: Outline of an Ecosophy was published in 1989. (Confirmed by text)
- The paper is published in the Journal of Asian Development Studies, Vol. 13, Issue 4 (December 2024). (Confirmed by text)


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