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Post-colonial Cultural Identity in Ondaatje’s The English Patient


Article Information

Title: Post-colonial Cultural Identity in Ondaatje’s The English Patient

Authors: Nafees Parvez, Asma Haseeb Qazi, Kanza Umer Khan

Journal: Pakistan Social Sciences Review (PSSR)

HEC Recognition History
Category From To
Y 2024-10-01 2025-12-31
Y 2023-07-01 2024-09-30
Y 2021-07-01 2022-06-30
Y 2020-07-01 2021-06-30

Publisher: RESEARCH OF SOCIAL SCIENCES (SMCPRIVATE) LIMITED

Country: Pakistan

Year: 2020

Volume: 4

Issue: 1

Language: English

DOI: 10.35484/pssr.2020(4-I)79

Keywords: CulturePostcolonialismidentityEurocentrismWorld War I

Categories

Abstract

Postcolonial criticism examines society and literary culture together to reject the Eurocentric view of indigenous literature and culture which it is the literature of. This study employs Franz Fanon’s expression of cultural identity to figure out the postcolonial literary culture that makes readers realize the considerable determinations of post-colonial subject; hence, retrieves the lost cultural identities of post-colonial subject in the wake of World War II. This emphasis on the cultural identity of the post-colonial subject also explores the Eurocentric ignorance of colonized cultural history – social and cultural embedment. This issue of cultural identity wherein postcolonialism dares to delve is the locus of this research, which argues how the post-colonial subjects in The English Patient adopt a new form of their cultural identities by escaping the stereotypes about their names, bodies and birthplaces.


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