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Title: Post-colonial Cultural Identity in Ondaatje’s The English Patient
Authors: Nafees Parvez, Asma Haseeb Qazi, Kanza Umer Khan
Journal: Pakistan Social Sciences Review (PSSR)
Publisher: RESEARCH OF SOCIAL SCIENCES (SMCPRIVATE) LIMITED
Country: Pakistan
Year: 2020
Volume: 4
Issue: 1
Language: English
DOI: 10.35484/pssr.2020(4-I)79
Keywords: CulturePostcolonialismidentityEurocentrismWorld War I
Postcolonial criticism examines society and literary culture together to reject the Eurocentric view of indigenous literature and culture which it is the literature of. This study employs Franz Fanon’s expression of cultural identity to figure out the postcolonial literary culture that makes readers realize the considerable determinations of post-colonial subject; hence, retrieves the lost cultural identities of post-colonial subject in the wake of World War II. This emphasis on the cultural identity of the post-colonial subject also explores the Eurocentric ignorance of colonized cultural history – social and cultural embedment. This issue of cultural identity wherein postcolonialism dares to delve is the locus of this research, which argues how the post-colonial subjects in The English Patient adopt a new form of their cultural identities by escaping the stereotypes about their names, bodies and birthplaces.
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