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Title: Muslim Women in the Hindi Movie Haider: A Critical Discourse Analysis
Authors: Muhammad Tariq, Asma Safdar
Journal: International Journal of Politics & Social Sciences Review (IJPSSR)
| Category | From | To |
|---|---|---|
| Y | 2024-10-01 | 2025-12-31 |
Publisher: Gandhara Education and Research Consultants (GERC)
Country: Pakistan
Year: 2024
Volume: 3
Issue: 3
Language: English
Keywords: CDAHindi CinemaMuslim WomanFamily MemberMedia
Hindi cinema, with its versatility of subjects, is among the top film industries in the world. It has touched on a variety of topics in its productions. From very domestic to social and from local to global, everything gets a certain treatment in Bollywood. Among those is the adaptation of the literary work. Shakespeare, an Elizabethan dramatis, with his remarkable contribution to literature, especially drama, could never remain unexplored by the Hindi film makers. "Haider" has served as one of the exemplary adaptations of Hamlet with regard to its social, political, and cinematographic context. Set in the Muslim and conflict-ridden society of Kashmir, it rendered it more significant. Amongst other important themes, one can find a depiction of Muslim society in general and that of a Muslim woman in particular. To study the portrayal of Muslim women in the movie, Fairclough’s 3D model of critical discourse analysis has been employed to analyses the character of Ghazala, the hero’s mother. The findings of the study reveal that Muslim women have been portrayed as immoral, disloyal, and insincere family members.
To examine the ideology of Muslim women in Hindi cinema and analyze their representation as family members in Hindi movies.
Critical discourse analysis using Norman Fairclough's 3D model, focusing on the character of Ghazala in the Hindi movie "Haider." The analysis was conducted at three levels: text, discursive practice, and social practice.
graph TD
A["Identify Movie: Haider"] --> B["Select Character: Ghazala"];
B --> C["Apply Fairclough's 3D CDA Model"];
C --> D["Analyze Text"];
C --> E["Analyze Discursive Practice"];
C --> F["Analyze Social Practice"];
D --> G["Extract Dialogues and Actions"];
E --> H["Examine Text Production Context"];
F --> I["Consider Social Norms and Values"];
G --> J["Interpret Representation of Muslim Women"];
H --> J;
I --> J;
J --> K["Formulate Key Findings"];
K --> L["Draw Conclusion"];
The analysis highlights how Hindi cinema, through the character of Ghazala, constructs a particular ideology of Muslim women, often portraying them in stereotypical and negative ways. The study discusses the interplay of gender, religion, and political conflict in shaping these representations, noting how Ghazala's character, while seemingly traditional, exhibits traits that challenge conventional notions of Muslim womanhood and family roles.
The study found that the character of Ghazala, representing Muslim women in "Haider," is portrayed as immoral, disloyal, and insincere. Her dialogues and actions reveal a complex character influenced by the socio-political context of Kashmir and the ideological underpinnings of Hindi cinema.
The movie "Haider" presents a nuanced yet critical portrayal of a Kashmiri Muslim woman, Ghazala, who embodies loyalty, sincerity, and devotion as a family member, but also engages in an extra-marital affair and is indirectly responsible for her husband's death. Her character is shown to be influenced by the Indian ideology towards Kashmir, demanding sacrifice without offering much in return. The effectiveness of Hindi discourse in shaping social and political perceptions is evident through her narrative.
* The movie "Haider" was released in 2014. (Confirmed by text)
* "Haider" is an adaptation of Shakespeare's Hamlet. (Confirmed by text)
* Norman Fairclough's 3D model of critical discourse analysis was used. (Confirmed by text)
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