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Title: The Silenced Subjectivities in I Am Malala and Red, White and Muslim: An Interpretative Analysis of Two Muslim Women’s Memoirs
Authors: Rohma Saleem, Najia Asrar Zaidi
Journal: Journal Of Contemporary Poetics
Publisher: International Islamic University, Islamabad
Country: Pakistan
Year: 2022
Volume: 6
Issue: 2
Language: English
This paper draws upon the theory of subjectivity of Muslim women as enunciated by Saba Mahmood in her seminal work Politics of Piety. Grounding our analysis in her work, we critically engage with two selected memoirs I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban and Red, White and Muslim: My Story of Belief. Both books are written by Muslim women who are from two different locations; Pakistan and America. Via their memoirs, we probe into the kinds of representation the central characters exhibit and how these texts employ the ideas of subjectivity and agency. Our position is that the subjectivity and agency of Muslim women, as depicted and endorsed in these memoirs, is more in accordance with secular neoliberal paradigm. When a secularist model is employed as a yardstick to measure Muslim women’s agency, it makes her appear subjugated or oppressed. Representations are then curtailed within two extremes: that of a distressed damsel in need of liberation or a modern, chic woman who is empowered and not much different from her enlightened sisters in the West. In each case, the coveted ideal is the secularist, neoliberal model of what constitutes an agentic and free woman. This portrayal, we have attempted to argue, leaves much to be desired. It undermines the agency and subjectivity of women who opt for a more religious and more confined existence. Such women are deemed conservative and unenlightened because visibility in communal, public places is not their preference. Thus, this paper signals towards a need for a more nuanced portrayal of Muslim women.
Keywords: Memoirs, Muslim women, secularism, subjectivity, agency
To critically analyze the representation of subjectivity and agency of Muslim women in the memoirs "I Am Malala" and "Red, White and Muslim," arguing that these depictions align with a secular neoliberal paradigm, potentially undermining more religiously or communally oriented forms of agency.
Interpretative analysis of two selected memoirs, "I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban" by Malala Yousafzai and "Red, White and Muslim: My Story of Belief" by Asma Gull Hasan, using Saba Mahmood's theory of subjectivity and agency of Muslim women as a theoretical framework.
graph TD
A[Selection of Memoirs: I Am Malala & Red, White and Muslim] --> B[Theoretical Framework: Saba Mahmood's Politics of Piety];
B --> C[Interpretative Analysis of Memoirs];
C --> D[Examination of Subjectivity and Agency Representations];
D --> E[Critique of Secular Neoliberal Paradigm];
E --> F[Identification of Silenced Subjectivities];
F --> G[Conclusion: Call for Nuanced Portrayals];
The paper argues that the prevalent representation of Muslim women in these memoirs is shaped by Western feminist and secular liberal assumptions, which often define agency solely through individualistic struggle and public visibility. This approach risks essentializing Muslim women into either oppressed victims or modernized, Westernized individuals, failing to capture the diversity of their experiences and forms of agency, particularly those rooted in religious or communal values. The authors critique the tendency to use secularism as the sole yardstick for measuring Muslim women's freedom and agency.
The memoirs tend to portray Muslim women's subjectivity and agency through a secular neoliberal lens, emphasizing individual empowerment and resistance to societal norms. This framework often marginalizes or overlooks women who prioritize collective or religious values. Malala's narrative is presented as a victim needing rescue and liberation, while Asma Gull Hasan's memoir seeks to reconcile Islam with secular Western values.
The paper concludes that the chosen memoirs, while aiming to challenge stereotypes, inadvertently reinforce a secular neoliberal model of subjectivity and agency for Muslim women. This model prioritizes individual choice and resistance, potentially silencing or devaluing women who find agency and fulfillment within more traditional or religiously oriented frameworks. The authors call for more nuanced portrayals that acknowledge diverse forms of Muslim women's subjectivity and agency.
1. Malala Yousafzai's memoir "I Am Malala" was published in 2013. The text states, "Her memoir, co-authored with Christina Lamb, was published in 2013." This is factually correct.
2. Asma Gull Hasan's memoir is titled "Red, White and Muslim: My Story of Belief." The text consistently refers to the memoir by this title and attributes it to Asma Gull Hasan. This is factually correct.
3. Saba Mahmood's seminal work is titled "Politics of Piety." The text frequently references Saba Mahmood's "Politics of Piety" as the theoretical foundation for the analysis. This is factually correct.
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