DefinePK

Abstract

Aim of the Study: Pakistan has a rich historical background in textiles, which serves as a fundamental component of its cultural heritage. However, textiles are no longer restricted to upholstery and apparel in the contemporary era. These indigenous materials are being integrated into modern-era art practices and utilised in various innovative methods. During the 20th century, numerous artists began to incorporate textile materials and techniques into their work, creatively combining them with their art practices. The goal is to investigate the innovative incorporation of these methodologies into painting, sculpture, and installation art, thereby pushing the boundaries of both artistic mediums.
Methodology: This study employs a qualitative research methodology. This exploratory study examines the creative fusion of conventional textile materials and techniques in the work of contemporary Pakistani artists, with a particular focus on how modern artists employ these techniques to produce artworks that reflect the vibrant culture of Pakistan. Few contemporary artists are selected as a case study, for example, Masuma Halai Khawaja, Mussarat Arif, Imrana Tanveer, Mariam Hina Hasnain, Khadim Ali, and Imran Qureshi.
Findings: This study examines the integration of textiles and fine arts, also analyzing the impact of this fusion on both genres.
Conclusion: This study concludes that modern artists in Pakistan have begun to explore textile media and methods in their artworks, fostering creativity and showcasing both traditional textile craft art and the emerging artistic landscape of Pakistan. This promotes the innovative use of Pakistan's textile craft techniques and fine arts both nationally and worldwide, conveying a favourable image.