DefinePK

Abstract

Feminine voices in contemporary Urdu poetry are increasingly diverging from classical traditions and engaging with their immediate social and cultural environments. Among these voices, Hamida Shaheen holds a significant place. Her poetry offers a distinctive synthesis of feminine sensibility and contemporary consciousness, through which she articulates a wide range of life experiences. Her verses reflect a deep concern with the erosion of moral values, the existential emptiness of the present era, systemic oppression and exploitation, resistance against class-based structures, and an intense lamentation over the disintegration of ethical norms and the anguish of a fractured societal order.
References

Mubashara Ali, Hameeda Shaheen Ki Sheri Jehaat,Lahore:Kitab Mahal, 2017,P:126
Hameeda Shaheen, Pesh Lafz, Dastak, Lahore: Ravish Publications 2005.
Anjum Romani, Flap Dastak
Hameeda Shaheen, Dastak, P: 103
Amjad Islam Amjad, Hameeda Shaheen ki Ghazalein, mashmoola Dastak.
Hameeda Shaheen, Dastak, P:39
Ibid P: 34
Ibid P: 35
Nasir Abbas Nayyer, Deebacha, Dasht-e-Wajood, Lahore: Multi media affairs, 2006,P: 16
Ibid P: 18
Hameeda Shaheen, Zinda Hoon, Lahore: Ali Printers, 2010
Ibid P: 171
Sattiya Paal Anand, Harf-e-chand, mashmoola, Zinda Hoon az Hameeda Shaheen, P: 13
Ibid P:17
Hameeda Shaheen, Zinda Hoon, P: 156
Ibid P. 133
Sattiya Paal Anand, Harf-e-Chand, Mashmoola Zinda Hoon. P:16
Aftab Iqbal Shamim. Maani ki bazyaft ka khwab mashmoola Zinda Hoon az Hameeda Shaheen. P: 22
Hameeda Shaheen, Zinda Hoon, P:166
Sattiya Paal Anand, Harf-e-Chand, mashmoola Zinda Hoon az Hameeda Shaheen, P:14
Hameeda Shaheen, Zinda Hoon, P:96