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Abstract

This paper explores Jane Austen's masterful use of Free Indirect Discourse (FID) in Pride and Prejudice and its broader significance in her literary repertoire. FID becomes an important stylistic feature in her narrative as it provides the framework for uniting her omniscient narrator with the thoughts and feelings of her characters. This double voicing enhances the psychological reality of Austen's stories and sets up a sophisticated critique of the classes, gender roles, and self-identity that are all into place socially. The thematic and formal linguistic dimensions of Free Indirect Discourse illustrate how it functions in character development, reader involvement, and its critique of oppressive hierarchies in Regency England. Emma and Sense and Sensibility provide comparisons to highlight the versatility of this technique as a vehicle for the emotional nuance, moral dilemmas, and restrictions of society on its citizens. It captures, whether solitary voices or shared ones. Situating her in the development of the English novel, brings home that lasting quality in her narrative form and style. Her FID makes the story-telling more engrossing for the reader and at the same time, puts it to the test for her readership in dealing with the complexities of character and society, thus canonizing her for future people as an innovator in literature.