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Title: Structural Analysis of Oscar Wilde’s Fairy Tales
Authors: Mehrish Khan, Muhammad Kamran Kashif, Muhammad Faheem
Journal: Journal of Arts and Linguistics Studies (JALS)
Publisher: Mega Institute for Advance Research and Development (Private) Limited
Country: Pakistan
Year: 2023
Volume: 1
Issue: 4
Language: English
Keywords: StructureOscar WildeFairy talesOral Tradition
The study's principal objective was to conduct a structural analysis of the fairy tales written by Oscar Wilde, taking into account the personal importance, Wilde attributed to them and his intention to educate his sons through them. Wilde's fairy stories exhibited a comparable blend of inventive underlying meaning and otherworldly atmosphere akin to those encountered in traditional oral fairy tales. The author skillfully developed character profiles and story trajectories that elicited a feeling of rivalry. Consistent with previous fairy tales, these stories also concluded with joyful endings accompanied by didactic lessons. The researcher employed the Propp’s Structural Model as a conceptual framework to categorize nearly all forms of structures. In addition, this investigation significantly enhanced the authenticity of Wilde's extraordinary stories and the oral heritage associated with them. They acquired the highest number of structures from Wilde's chosen fairy tales. The two chosen narratives were The Happy Prince and The Selfish Giant, fragments from the initial compilation of stories titled The Happy Prince and Other Tales. The Selfish Giant, the third narrative, was derived from The House of Pomegranates, a supplementary collection of traditional anecdotes.
To conduct a structural analysis of Oscar Wilde's fairy tales using Propp's Structural Model to understand their patterns and adherence to traditional fairy tale structures.
Qualitative investigation employing Propp's Structural Model (Morphology of the Folktale) to analyze three of Oscar Wilde's fairy tales: "The Happy Prince," "The Selfish Giant," and "The Young King." The study categorizes narrative elements based on Propp's 31 functions and seven spheres of action.
graph TD;
A[Select Oscar Wilde's Fairy Tales] --> B[Apply Propp's Structural Model];
B --> C[Analyze Narrative Functions and Character Roles];
C --> D[Identify Structural Patterns];
D --> E[Evaluate Adherence to Traditional Structures];
E --> F[Determine Key Findings and Themes];
F --> G[Formulate Conclusion];
The study argues that Wilde's fairy tales, despite their unique literary qualities, retain fundamental structural elements of oral folklore as described by Propp. The analysis highlights how Wilde adapted these structures to convey didactic lessons and explore themes relevant to his time, such as socio-economic disparities. The personal significance Wilde attributed to these tales, potentially for educating his sons, is also considered. The research emphasizes the recurring theme of character transformation, particularly through transfiguration, as a defining characteristic of Wilde's fairy tales.
- Oscar Wilde's fairy tales exhibit structural patterns comparable to traditional fairy tales, often adhering to a "struggle-to-victory" structure.
- While not all 31 Proppian functions are explicitly present in every tale, their essence is manifested, and characters generally align with Propp's delineated roles.
- The function of transfiguration plays a vital role in Wilde's fairy tales, signifying character transformation and moral development.
- Characters can embody multiple roles (e.g., the Giant as both antagonist and protagonist).
Oscar Wilde's fairy tales are structurally rooted in traditional folklore, as evidenced by their adherence to Propp's model. The analysis confirms that these stories, while unique, share common narrative functions and character archetypes with older tales. The function of transfiguration is identified as a key element that unifies these tales and contributes to their enduring impact.
- Oscar Wilde's first compilation of folklore, "The Happy Prince," was published in 1888. (Confirmed in text)
- "The House of Pomegranates" was published in 1891. (Confirmed in text)
- Propp's essay "A Morphology of Folktale" was originally published in 1928 and later in 1958. (Confirmed in text)
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