DefinePK

Research Objective

To examine the representation of females in Pakistani TV dramas and Thai lakorns, specifically focusing on gender roles, objectification, and the romanticization of sexual violence and rape culture.

Methodology

A qualitative approach was used, involving the comparative linguistic analysis of dialogues from two selected dramas: "Ghissi Pitti Mohabbat" (Pakistani) and "Prom Pisawat" (Thai). All episodes of each drama were analyzed to provide a holistic overview, with a focus on the actions and interactions of the protagonist characters.

Methodology Flowchart

                        graph TD;
  A[Selection of Dramas: Prom Pisawat Thai & Ghissi Pitti Mohabbat Pakistani] --> B[Qualitative Linguistic Analysis of Dialogues];
  B --> C[Examination of Gender Roles and Objectification];
  C --> D[Comparison of Representations];
  D --> E[Identification of Key Findings and Themes];
  E --> F[Formulation of Conclusion and Discussion];                    

Discussion

The study argues that media, particularly dramas, plays a significant role in shaping societal perceptions of gender. Thai dramas often reinforce patriarchal norms by objectifying women and romanticizing violence, aligning with Fredrickson and Roberts' "objectification theory." In contrast, Pakistani dramas, while not entirely free from these issues, can also depict women as subjects who resist and challenge traditional gender roles, offering a more empowering narrative.

Key Findings

Thai lakorns, exemplified by "Prom Pisawat," tend to objectify women, portraying them as objects of sexual pleasure and subjecting them to subjugation, marginalization, and sexual violence, often with perpetrators facing little to no consequence. Pakistani dramas, while still reflecting patriarchal structures, can offer more nuanced portrayals, as seen in "Ghissi Pitti Mohabbat," which features a strong female protagonist who challenges societal norms and asserts her independence.

Conclusion

Gender roles are culturally defined and often shaped by misogynistic societies. The comparison between Thai and Pakistani dramas highlights how women are frequently objectified and subjected to sexual violence, which is sometimes glorified. However, there is potential for media to portray women as empowered subjects who can challenge societal constructs and define their own identities, as demonstrated by the Pakistani drama analyzed.

Fact Check

- The study analyzes two specific dramas: "Ghissi Pitti Mohabbat" (Pakistani) and "Prom Pisawat" (Thai).
- The research utilizes a qualitative approach, focusing on linguistic analysis of dialogues.
- The theoretical framework is based on Fredrickson and Roberts' "objectification theory" (1997).

Mind Map