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Abstract

The study of the linguistic tradition of the Urdu novel indicates that until the twentieth century its language largely conformed to conventional frameworks, where style, syntax, metaphors, similes and orthography reflected the classical expectations of readers. However, the twenty-first-century novelist departed from these conventions by introducing novelty and individuality into language. Different forms of linguistic deviation; syntactic, semantic, morphological and orthographic; emerge as deliberate creative practices within the narrative. Such deviations are not merely acts of breaking tradition; rather, they expand the expressive scope of the language, infuse the text with freshness and open new intellectual and aesthetic possibilities for the reader. Thus, through these linguistic experiments, the Urdu novel contributes not only to the evolution of literary tradition but also offers new dimensions for linguistic scholarship. The current paper focuses on the study of linguistic deviation in the novel “Qurbat e Marg Main Muhabat” by Mustansar Hussain Tarar.